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Scott Adams, who most people know as the creator of “Dilbert,” does not embrace corporate The United States. Yet several believe the ultra-successful comic artist and commentator went too far in a recent blog post regarding men’s rights and his view of arguing with women. A firestorm of protest over Adams’ reputed sexist remarks prompted the artist to delete the post from his blog and fire back at his critics online.

Many caught the article before Scott Adams deleted it

While Scott Adams’ original article is no longer available via the “Dilbert” blog, numerous feminist blogs have captured the article in its entirety. The original article is what started the dispute for Adams:

“The reality is that women are treated differently by society for exactly the same reason that children and the mentally handicapped are treated differently. It’s just easier this way for everyone. You don’t argue with a four-year old about why he shouldn’t eat candy for dinner. You don’t punch a mentally handicapped guy even if he punches you first. And you don’t argue when a women tells you she’s only making 80 cents to your dollar. It’s the path of least resistance. You save your energy for more important battles.

 

“How many times do we men suppress our natural instincts for sex and aggression just to get something better in the long run? It’s called a strategy. Sometimes you sacrifice a pawn to nail the queen. If you’re still crying about your pawn when you’re having your way with the queen, there’s something wrong with you and it isn’t men’s rights.”

The firestorm would have disappeared had Adams just pulled the article and apologized to female readers, Comics Alliance explained. Adams did pull the post, however he followed up with a fiery attack against critics that indicated that he’d had no change of heart.

Reading comprehension difficulties since it is not sexist

In his comments, Adams said he was criticizing men and women activists. He responded on the blog Feministe. He said:

“Is this an entire website dedicated to poor reading comprehension? I don’t think one of you understood the writing. You’re all hopping mad about your own misinterpretations… comments about the piece were little more than name-calling.”

Adams said that dealing with name calling demands you:

“Treat the name-callers as you would angry children, by not debating and not taking it personally.”

There are differences between men and females

By talking about the men and females differences in this way where there is so much conflict, the Comics Alliance explains that Scott Adams does a disservice to the world, as several would agree. Adams’ “path of least resistance” is the coward’s escape in the minds of most of Scott Adams’ critics right now.

Citations

Comics Alliance

comicsalliance.com/2011/03/25/scott-adam-sexist-mens-rights/

Feministe

feministe.us/blog/archives/2011/03/24/scott-adams-to-mens-rights-activists-dont-bother-arguing-with-women-theyre-like-children/#comment-356576

Look at the state of that

lookatthestateofthat.blogspot.com/2011/03/scott-adams-has-always-been-cowardly.html

Tinysprout

tinysprout.tumblr.com/post/3713649989/scott-adams-dilbert-deleted-post

Mixed martial arts Houston is a full combat sport. It can be referred to as mixed martial arts given that it mixes together different abilities from many different martial arts. Its aim would be to help folks grasp numerous abilities, thus enhancing their overall fitness, fight-readiness and defense techniques.

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The APC40 is littler than I predicted (which is a good thing), being exactly the equivalent width as my Apple keyboard. It feels gig-proof, and the crossfader is a user-replaceable component that bolts in from the bottom of the unit.

Connection to the host computer is via USB (there’s no old-school MIDI output), and the APC’s light show necessitates a mains connection from a low-profile external PSU. A very useful addition is a pair of footswitch inputs, one of which defaults to triggering the selected Scene, while the other launches or punches-in the selected Clip slot.

Once the APC is connected and enabled in Live, a red rectangle appears in Live’s Session View. Clip slots within this zone are targeted by the 8×5 button grid on the APC. Pressing a pad on the grid launches the corresponding Clip in Live, while triggering an empty slot on an armed track starts a new Clip recording. This buttons ignite in unique colours to indicate the status on the slot they control. Orange shows the presence of a Clip, green represents a playing Clip, red shows a Clip being recorded, and if there’s no light, that means the slot is empty.

Down below the grid is surely an extra short period of links that end playback in each track. To the right is a column of Scene Launch buttons that trigger entire rows of Clips, plus a Stop All Clips button, just like the Master Track in the software.

The APC is not limited by its 8×5 button grid to eight tracks and five scenes. Bank Select buttons to the right of the pads nudge the grid around the Session View one row (up/down) and one track (left/right) at a time. The bank keys (like all the buttons on the right-hand side of the APC) are hard and clicky, and not great for fast clicking around, i really found me wishing they’d used a similar rubber buttons because grid, or that you might hold your buttons pertaining to continuous scrolling.

Luckily, holding down the Shift key while ‘banking’ navigates in steps of eight tracks or five Clips. Additionally, while the Shift key is held down, the button grid changes to show an overview of the session, with each pad representing one bank of eight tracks and five Scenes. In this mode, the current bank is shown in yellow; other banks that contain Clips or tracks are red, and a bank containing Clips that are playing lights up green. Pressing a pad while in this mode immediately moves the APC’s focus to that bank. The Scene Launch buttons extend the overview to five pages, giving a total area of 64 tracks by 125 scenes that can be navigated in this way.

Just being able to manipulate multiple Clips simultaneously, and drop Clips into and out of record without having to fumble around for the mouse is a quiet revolution. I also love the Device Control functionality, which is the first hardware implementation I’ve used in Live that doesn’t feel awkward or rely on some mouse input. If some visual feedback can be added to show what’s mapped, it will be perfect.
Summing up, then, whether you use Live for performance or for studio composition and production, the APC40 comes highly recommended.